after the last adventure emphasized by sven weisemann, it is mojuba veteran nick solé on release duty! after some excursions on faux pas music nick is presenting three fresh cutz and pushing the boundaries of his own sound universe of house music again. we are very proud to announce that this release is already a little teaser for the debut album of nick solé, which is supposed to be released sometime very soon … keep tuned in and enjoy!

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

who better to provide our first release from an artist based outside the uk than starkey? having worked with a who s who of grime including trim and p money as well as playing an instrumental part in pushing the sound overseas, no hats no hoods are proud to have starkey at the helm of our 15th vinyl release.always keen to focus on emerging as well as established artists starkey teams up with up and coming mcs merky ace and kozzie on >pc<, whilst delivering a high octane lesson in fluro-grime with the instrumental >peacekeeper< on the flip.

san francisco-based producer antiserum steps up for dub police with two unique collaborations, featuring local producers ill-esha and 12th planet respectively. his music is a masterfully crafted fusion of influences that results in a sound entirely his own, balancing light against dark and colour against pure bass pressure. showcasing a deft musicality as well as an unrivalled talent for system shaking productions, antiserum is taking the scene by storm. releases on narco.hz, s.c.u.m and argon amongst others have already propelled him to the forefront of the rapidly growing american dubstep scene, with plenty more still to come. on the a side, he is joined by ill-esha on >zephyr<, a sick g-funk inflected roller. skittering hi-hats and tough drums lay the foundations on this one, with the deep, smooth bass sweeping underneath. the vibrant synths weave in and out of each other with ease, swimming around the mix and swelling expansively through the speakers. on the flip he teams up with 12th planet on the massive >purple & gold<. the g-funk influences continue to flow through this track, pinned down by a hard bassline and taut drums. the shimmering synths sliding over the top of the percussion and off into the atmosphere give the track an epic stop-in-your-tracks effect.

kari guðmundsson aka. hypno hits teal002 with two exciting pieces lying somewhere inbetween dubstep, house and garage. koko is a hypy swingtime-jam ready to make dancefloors go nuts. thrilling percussive variations, deep sub hits and nutty samples. the more soulful, yet experimental analies, draws on hypnos signature percussion. adding sampled vocals, effective kick-drum patternshifts, takes the listener off-guard! truly, a top shelf twelve! dj supporting include: ramadanman / pearson sound, blawan, hackman and dj donga.

pittsburg, pennsylvania native and four year old sonic groove label resident realmz is back with his latest music endeavor >astral body” his latest 4 track offering seethes with futuristic sound designs layered perfectly over industrial technoid drum rhythms. with his past roots planted firmly in both industrial music and detroit techno, mr d atri knows a thing or two about crossbreeding both these styles as evident in his past releases. here within >astral body< you will find the perfect genetic mutation of industrial and techno...

support by richie hawtin. gorge. toni rios. stephan bodzin. kombinat100 and many more! spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and o-pen minded approach to electronic dance music on his debut album. the rst track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and u y manner. the lively hustle and bustle on the hidden playground happens in many di erent ways: sometimes its the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

phonicas seventh release comes from paul woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating hes an artist who never stops evolving. fresh from a tour with, and in advance of a release on planet e, paul woolford continues his rise to becoming one of the most important electronic music artists of the decade with his first release for phonica, a label who have unleashed some unrivalled quality cuts on their catalogue. opening this special double a-side 12 inch is >cant do without<, a bone-shaking record that is laced in originality. building up slowly from a tape-hiss-laden break, a low-slung bassline and a deep yearning vocal, >i cant do without you< is sublime dancefloor material. engaging from the outset with clever broken beats that build playfully into an emotive, psychedelic breakdown to get lost in, woolford demonstrates why he has achieved so much success in his game. on the flip >bareback< treads into dark acid territory that is a hybrid of techno and dubstep in a similar vein to actress and recent material from instra:mental / boddika

a great versatile release again where the label shows their fascination for forwrad thinking challenging dance tracks without forgetting that its dancetracks... some references can be made to early british idm, detroit techno or chicago deep house...but somehow these guys have a pretty unique sound so comparing wouldnt do them justice.

already supported by loco dice, catz n dogz, mihai popoviciu...mike spirit and rayo continue their cooltool journey into classy contemporary house music. after highly acclaimed debut >southwater ep< by technique & yaroslove (including alexkid and patrick zigon remixes) new release is on the way. please welcome v!ctor & lownza (jett, frabon records) who deliver massive house tune >bit my jazz< straight from smoky parisian dancefloors. another french veteran chris carrier (proud owner of catwash and adult only imprints also releasing his music on such well-known labels as robsoul, bass culture, off, spectral sound and, finally, freak n chic) is responsible for two driving remix tools - and we must say, this is carriers sound in its finest!

augmented third. our third ep introduces the ordinary subject - title of the latest project of alexander siegel and christian scheel. infected by creating sound - generated sensory input – they are both enthused by the same. following this idea, the ordinary is certainly not able to enhance a current perception of reality, but the augmented, however, can. the ordinary subject truly live music in an irrational way and aren t it different views that can complete a perception? to get an impression of what we try to say, tune your ears and listen.

with its first 4 singles the spanish label apersonal music made its way rapidly into the highlights of the modern nudisco scene. on its 5th effort they release their first all original tracks ep betting hard on the dynamic and innovative melodies of volta cab, a young producer from the russian city of ulyanovsk. volta cabs music pieces have been gaining attention in the underground music scene through out the internet for some time now, a sound strongly influenced by the 80s sound and pop-culture which will finally hit the stores shelves this year. for apersonal s 5th volta cab delivers 4 original & unique tracks which gives form to this very musical and personal ep. standing out is the main single of the ep >why you come back here< on which volta cabs original vocals play along with catchy elements of disco and soul wich he masters with his unique style. feels like starsky & hutch on acid. >volta cab comes from mother russia and brings us into the neon future. into the times when the war is over and everyone in the universe loves one another in the interstellar dance to synth pop music.<

the much anticipated follow up to last years balearic opus >panorama suite< by max essa. >heartache (original 86 club mix)< - this funky early nineties inspired house groove seems to be channeling all the best bits of fpi project yet manages to still sound brand new and wholeheartedly relevant. this track is heading for the dancefloor - unashamedly uplifting and funky - a real breath of fresh air. sample free and featuring max on vocals. i challenge you to not move to this. >feel it in your body< is a more chuggy, dubby affair featuring a vocal chant not dissimilar to e-man grooving. funky guitars groove the track along until the synths lift it up to the next level. trancey balearic synth slo-mo goodness.

after almost a year of only dancfloor related releases dial is back with an outstandingly special record: dirk von lowtzow presents his guitar solo work >tod in theben<. dirk von lowtzow, also known as a member of phantom ghost and tocotronic, creates a slowmotion drone-a-like folk meditation. the result is a breathtaking piece of deepest devotion, an incredible sound and room composition. at last years salzburger festspiele von lowtzow performed >tod in theben< in jan fosses same named theatre piece directed by angela richter.

chilean born dinky is a long standing resident at panorama bar. her warm, technical house sound, underpinned by intricate rhythmic and harmonic elements is a much loved staple of the scene. >take me< is a wonderful meeting of thuggish house and soul-infused, feel-good energy. a surprise break leads to unexpected vibes and a brief encounter with some rhodes keys action. >polvo< is a psychedelic ride through more cerebral moments, possessing the power to truly lock you in. the extended passages of this breezy, garage-house hybrid just highlight dinkys instincts for dramatic timing.

this brussels-based crustacean s cosmic craft has to be heard to be believed. sounds spring to life from forgotten corners of your speakers, each one battling for your attention yet always emerging at the right time and the right place, painting its part of the picture. shards of broken breakbeat litter the sea-bed and form a solid back bone for this invertebrate s innovative use of samples, synths and instrumentation. leading you from one vast soundscape to the next, complete with unexpected plot twists in foreign waters, squeaky lobster s beats take you out of the aquarium and into the abyss. lapti (rus). this russian beatmaker scavenges most of his samples right off vhs or dictaphone tapes. melodies you ve never heard, together with familiar retro samples, create a nostalgic and cinematic mood. masterly produced hip hop instrumentals, a clear and fresh sound, new themes and original interpretations of old and good - this is the spin of lapti

the fifth neurhythmics release is a compilation of befriended artists, and this is reflected by the different interpretations of the individuals to what the labels sound is about. juergen provides the a-side with >common sense< a vocal-snippet driven house-track, that once again underpins his sound-aesthetics of having it sound live and mixed on the fly, straight out of the machine. the flip-side could not start off any better. quite possibly a future classic, >signature< by mike binary, has soul and emotion literally squeezed in between each of the effortlessly programmed beats, and has become one the favourite tracks at the neurhythmics hq to ever been put on the label. last but not least, >no other< by the dirty soul project (you will know these guys, but we were sworn to secrecy) firmly pulls the hand brake and slows things down to just over 110 bpm. this doesnt mean that this very hypnotic number isnt going to work in the early morning slots…au contraire, actually...

second in this new series super-rare disco cuts re-edited, once again using all analog re-mastering for a thick heavy sound. two amazing cuts, the re- edit of bimbo jets love to love backed with the remix/re-edit of family trees anthem by the same name. limited, get em fast!

brand new series of disco re-edits, guaranteed to dig deeper than the rest! this first volume reworks a staple from the loft era by demis roussos, >l.o.v.e. got a hold on me<. the flip is sympho states fever re-edit. beautiful analog mastering and thick heavy sound.

tom tragos second album! lots of guests including om mas keith of sa-ra, tyree cooper, oliver daysoul, romanthony and san proper. tip! after releasing his double ep >voyage direct<, early 2009, tom has spent the last two years finding his signature sound. the outcome of this search has resulted in >iris<. where >voyage direct< was his homage to disco, >iris< deals with all of toms musical inspirations. shaping these inspirations into a new sound and creating an exciting mix is where tom really succeeds. >iris< can be best described as a futuristic soul album. its an album that takes the listener on a voyage into the future of dance music. a future where all genres and directions are fused together, from soul to techno, from hip hop to electro and from classical to disco. over the past two years tom has spent countless hours recording for >iris< in his studio, on the road and in los angeles, where he recorded >so cold<, together with om mas keith of sa-ra. other vocalists featured are tyree cooper, oliver daysoul, romanthony and san proper. the selection of vocalists underlines the diversity of >iris<. you are cordially invited aboard toms musical spaceship, which will no doubt bring you towards the borders of your imagination.

part i? time track . mokiras time track is the deepest of dub music and electronic gear has seldom sounded this organic. rolling cords and bassline builds slowly towards the dub meltdown. on the b-side silent servant (sandwell district, historia y violencia) produces a rolling wall of sound. this is a high energy, metallic sounding dance piece ready to serve djs around the globe. to be played loud, not silent.

the record meanders from sunday through to wednesday with a mix of heavy grooving rhythmical percussion and playful melodies. the creation is an intimate sound, playing around with field recording and self recorded instruments. >any given sunday< sees spieltrieb insinuate an early morning club atmosphere, with a lovely distorted e-piano and commanding drops. following on are three more tracks each with their own character and charm, in all a four-track debut that sets the scene for whats yet to come.

big with: sven väth, reboot, dubfire, josh wink, monika kruse, sascha dive, tobi neumann, karotte, gregor tresher, butch, nick curly, derrick carter... welcome dj sneak on his first full ep on cécille records, after the 2009 summer hit >some more< on the somero 09 sampler on cécille. the puerto rican born is no doubt one of the founder of chicago house music alongside derrick carter, green velvet and many more, he is for sure a living legend. since over 25 years hes playing and producing his own unmistakable sound. people like ricardo villalobos, luciano and many many others playing his releases since decades. the fallin beats ep gives you 3 different tracks, one of them >operation sneak 2011< is an reedit of one of his classics from 1993. >babylon fallin< comes with a great emotional hookline and >musica de parada< shows the easiness an flawless of his rhythmic sound

if you have been exposed to this cultural phenomenon called electronic music for more than a while, you will certainly have in mind something more than bright sunsets and perfect waves when you evocate that part of our awesome planet called california. the west coast has provided an own-harvested sound that strives to differ itself from surrounding mainstream conditions, making it fine and classy when it comes to underground house and techno music. alland byallo aint no rookie on the issue, rolling beats for enough years now to need no intruduction. with productions on labels like dirt crew, liebe detail, dirty bird, poker flat or nightlight music (allands own imprint) he can be well considered like the last but one exponent of a whole lineage of californian producers.

art-nr2 is the third release in art records remaster series following on from carl craigs >psyche/bfc< and kirk degiorgios >nairobi ep<. promenade eleven lives up to the billing of those illustrious predecessors, being a reverse-engineered remake of >night on the promenade< which originally appeared in limited quantities on the new religion label in 2006 under the name >super-a-loof<.
labelled at the time as a successor to classic techno tracks such as derrick mays >the beginning< and rolandos >knights of the jaguar<, this re-make will finally bring it to the wider audience it deserves via the art label.
promenade eleven (original mix) adheres faithfully to the original arrangement but has been re-recorded and totally remixed from the ground-up for a modern club sound.

elektrodrei sind zurueck auf ostwind. durch den einstieg von matthias korr entwickelte sich der sound dieses trios weiter und nun servieren sie uns zwei treibende tunes die auf minimalem ansatz das maximale rausholen !!

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

full length double lp from stockholms biggest sound, skudge..tip! although the duo was only formed in summer 2009, they have already moved out of near anonymity to become precious favourites of deep, warehouse-styled house and techno fans. their output to date has moulded together classic ideas and modern aesthetics with a keen sense of minimalism: their looped soundscapes are often bare, but never lacking, and the intersection between house and techno seems to be the point at which the duo most often find themselves. as a result, thats the area most explored on their debut album, phantom, which conjures up exactly the sort of adjectives you should imagine given its title.

full colour sleeve pressed on 180 gram vinyl. regarded by many as the finest electronic producer of his generation, the mysterious la-based photek enjoyed considerable success throughout the 90s and into the new millennium with his own mutant breed of jungle and drum n bass. after a four-year hiatus from releasing music (and just over ten years since his last lp >solaris<), the legendary photek is back with a new sound and brand new 4-track ep – an occasion definitely worth the wait.
multiple radio plays by: benji b, annie mac, rob da bank, mistajam, nick grimshaw, greenmoney, jon kennedy.

with the dust barely settling on the look ep, luckyme start 2011 with another jacques greene 12 inch. another girl is a brand new a side backed with remixes from london heavyweight and rinse fm futurist braiden and mark flash from the very legendary underground resistance movement. another girl shows the continued development of jacques sound, with a deep beating heart of analogue bass drawn around glistening rnb vocals – this is a warm sweep of modern house designed to cast a spell on the club.

mintechsoftech is tonkberlins new ep for 2011 with two sides of different minimal sound. if you want to dance listen to the first side. if you want to relax listen to the second side.

rare and limited warehouse find, true underground storage sound quality (check samples).

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars ? were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers. this album features many of the musicians involved with studio one who literally defined reggae music. from the skatalites members tommy mccook, roland alphonso, jackie mittoo to killer sidemen such as trombonist vin gordon (a/k/a don drummond jnr), saxophonist cedric im brooks, keyboardist and twelve tribes of israel member pablove black. many of the rhythms that these musicians created became the back-bone of the jamaican musical world and their songs have been replayed and re-versioned by 1000s of reggae producers ever-since. the album features classic and super-rare tracks all recorded under clement ?sir coxsoneÊ doddÊs supervision at the legendary recording studio and record label. as well as sixteen killer tracks the album comes with new sleevenotes and photography by dennis morris and adrian boot making this another essential studio one reggae release for connoisseurs of reggae and newcomers alike.

studio one dub 2 is a second collection bringing together some of the finest dubs from the legendary studio one records, kingston, jamaica. dub music was the creation of a generation of brilliant recording studio engineers in jamaica. but although clement coxsone dodds studio one is hailed as the greatest of the jamaican recording labels, and although many talented engineers worked the board at dodds brentford road studio over the years (including sylvan morris, syd bucknor, overton scientist brown and dodd himself), studio one was never typically known as a centre for dub.

electric fling vol. 3 features a new artist on codek records >brioski< with >svperfine<, both from milan italy. show biz is the result of their collaboration, heavily influenced by italo disco, it is definitely designed for the dance floor.

azymuth return with limited edition heavyweight 12 inch featuring ltj experience remix.
returning to their huge old school sound, this 12 inch takes two tracks from the new album >aurora<, that celebrates 35 years of azymuth.
the signature swing samba is heavier than ever here with two unforgettable dance-floor fillers packed with hard, grooving samba funk and warped psychedelia.

with their third release metacid proved themselves to be a consistant supplier of massive acid tracks!! on the logo side two hard acid-core tracks with their typical 303 sound with a touch of the famous minimoog. they also experimented with a little trip-hop song. it shows they can do more than only the hard stuff. queaver on the info side has delivered two pumping wonky-acid tracks. this limited edition only comes out in solid orange. support by stanny franssen and spacid.

another modern classic from be as one is generating consensus from two of the main producers of recent times. after his latest releases on r&s and objektivity and his acclaimed artist album on ovum, shlomi aber returns on be as one with an original work after a long absence on his own label, since the times of the magnificent groundbreaking >sketches< alongsie detroit piooneer kenny larkin. now he does it again with a bang, involving in the project the legendary house stalwart dj sneak, whose been quite busy in the latest years unceedingly preaching the house gospel. abers original version of after touch bares the man own techno trademark, heavy dark funk bass and snares, all looped up with a consinstent drive and shaky groove. dj sneak does his thing on the b side, stomping his trademark sound all along the 10 minutes of the track, bringing the perfect balance to this release with a hoursier version of chunky, raw and old school groove.

after a furious appearance on cocoon komaton now joins the pro-tez family. >sweet princess< is a bass-bin filling, dance-floor destroying track from the hottest austrian export since arnold schwarzenegger. the a-side has the original version that deeply pulsates through some lonely piano with noise fractals and druggy vocals. it creates subtle sounds building throughout with percussion to excite. a2 follows with a sublime aural dub version by bvoice & khz. on the flip side scsi-9s remix has the power to fill the room with sound in a way that only pro-tez releases do. a must-have!

ltd handmade cover ... telrae welcomes soundseeker, noise controller,full time musician, van bonn. he has written two tracks for telrae. both of them are constructed like a theatre play.. each tone is intentionally-on purpose- generated and set in its propper place to create a symbiotic effect... which you realise once you give them time to interact… and create something which might be just one element in a chainreaction. van bonns definition of techno dub. you could say van bonns has written the most abstract release so far for telrae and you could be right. the two tracks are not written for functional reasons, but are very functionel for the ones that seeks for similar feelings such as, deepness,landscapes of sound or just snapshots in which time stands still. these tracks come from far away to be discovered by likeminded people. dive into the world of van bonn.

a long overdue rude 66 retrospective, that compiles acid, techno, idm and ambient tracks from his legendary acidplanet and djax days, with several unreleased gems from the same period. this release reveals the missing link between rudes iconic early acid sewer sound and the evil dragster electro-trance he has become known for in recent years. all tracks have been remastered and re-edited to appear now as youve never heard them before! no more eastern european carboard pressings, but spacious and thrilling sounds that finally really you immerse in the death race! very limited edtion on clear vinyl double album with free download and postersleeve.

to delight those who are true believers of the sistrum sound, patrice scott presents the aphotic segments part one, showcasing the talents of patrice scott, xdb, leonid and anton zap. making yet another statement on quality, timeless electronic music.

supported by: richie hawtin, nic fanciulli, steve lawler, luciano, anja schneider, dubfire, jozif goodwin, luke solomon, danny howells, manik, tony rodriguez, ed davenport, richard seeley, jozif goodwin,.. fabric resident and all-round house music don terry francis delivers the second instalment on his new klunk + zilly imprint - featuring two new cuts from klunk and his mysterious friend zilly. those familiar with terrys trademark sound or the caverns of fabric on the weekend will not be disappointed.

ltd marbled coloured inyl !! more killer output from the skudge factory. below is a brand new side of refined diva haunted techno, while phantom bites like it was designed specifically to turn berghain inside out..huge sound. tip!

taken from fab samperis forthcoming debut album power bossa on agogo records comes this 12 inch featuring a brand new song - which you may know as a version of a marvin gaye track - and a package full of soulful funky beats & breaks remixes by some of the most wanted producers of this sound around.

wolkenreise finds the duo moving away from the dark, peak hour techno to a gentler sound that flirts with emotive deep house for something classy and inspired. the track offers here is built on a raw, unhurried kick. all important contrast comes from the dry, echoing claps (which cut gorgeously through the bass clouds like, well, thunder) at unexpected intervals, a distant, longing and muted organ line (i think) and some heavy hearted synths. it’s melancholic but optimistic, and has a certain classiness to it which i really dig.” -teshno, january 2011. these are just some of the words that have many saying wolkenreise is the single of year so far with massive global support from all over the world including seth troxler, laurent garnier, craig richards and alexi delano to name a few. glistening and glowing remixes are created by the brilliant minds of john tejada, dj qu and rene breitbarth to offer up a vinyl that is timeless

since the release of their debut single in 2010, brightons :kinema: have seen themselves compared by the likes of the guardian and dummy to everyone from hot chip and phoenix, through to scritti politti and even wham! now after a series of sold out shows honing their sound they release >my beautiful machines<, the highlight of their live sets and the cause of many a stage invasion. sophisticated, soulful pop music with a sharp indie edge, this is an ep from a band on the cusp of stardom that has already earned plays on both radio 1 and xfm. taking the track to a whole new disco level are the remixes from swedens drop out orchestra which turn machines into an insanely funky 12 minute long live disco workout that has featured heavily in the sets of djs like tronik youth and justin robertson.

leif has been good enough to grace us with a bumper four track e.p. featuring a tingling special guest vocal from welsh songstress donna lea, whose voice resonates through your chest on title track, >so long<. sticking with the land of daffodils & dragons, a chance meeting at freerotation festival spawned an instant remix request. german groovecat move d on hearing >so long< immediately saw an opportunity to put his stamp on the record. the result is a low-slung roller whose heart remains firmly rooted to the floor. joining it on the a is murmuring bass heavy >tell you something<, while on the flip, >bide the time< pays testament to the early shuffling nyc garage sound